Do You Taste What I Taste?
Plum, leather, vanilla, lavender, hay, dirt, mushroom,
barnyard funk, pencil shavings, black cherry, red cherry… The descriptors used
to explain the tastes and smells of wine are as vast as the number of wine
grapes grown. Opening a new bottle of wine is like opening a box of chocolates,
you just never know what you are going to get. Will you be greeted with an
abundance of fruit, the creaminess of caramel, or the earthiness of mushrooms and
leaves? Sometimes, deciphering wine notes is as easy as the apple pie the wine
tastes like. Other times, you have a note that is literally on the tip of your
tongue, but you just can’t quite place what it is. I recently went through a
perplexing bottle that got me thinking about all of these wine notes, and the
headaches they occasionally bring.
Upon
opening a new bottle the other day, after much sniffing, swirling and gargling,
I was having a hard time deducing one of the primary fruit notes. Was it plum?
Was it huckleberry? Was is currant, and if so, was it red or black currant?
Wanting an answer, and wanting it now, I pulled out my trusty wine aroma kit
and became Wine Nancy Drew, looking to solve The Case of the Fruity Aroma in
the Bordeaux Bottle. I got to sniffing out the clues, and after feeling a bit
light-headed from the inhaling of too many little aroma bottles, it finally
took me absentmindedly putting on a huckleberry lip balm to realize that I was
in fact tasting and smelling huckleberry in my wine. Feeling rather proud of
myself, I listed it in my notes and filed the bottle away as case solved.
The smugness of solving the mystery
lasted until I found myself enjoying a glass of my beloved Deep Core Cab from
Silver Strike Winery in Tombstone, AZ. Having consumed more than enough bottles
of this Arizona beauty, I no longer feel the need to take notes on it, and I just
sip and savor. As the tastes of fig, creamy chocolate and a chalkiness that conjure
up images of the desert sands rolled around my tongue, I was hit with the
realization that the notes of this wine had come to me quickly and without a
struggle. There was no stress or over analyzing, they were just there. I knew
what I was tasting, and I knew I liked what I was tasting. At that moment it
dawned on me, am I putting too much pressure on myself to describe wines the
way in which I think the experts would?
As my love of wine grew, and I got a job at a winery, I wanted to learn
more. I enjoyed the industry, and I wanted to make sure the information I was
giving to customers was as accurate as it could be in this ever-changing wine
world. To help further educate myself, I began signing up for classes. The
first two I took were levels one and two from the Wine and Spirit Education
Trust (WSET). I learned so much from these programs from basic wine making
steps, to what factors make up a wine’s terroir, to how to properly and
silently open a champagne bottle – the struggle is still real for me on this
one and the “pop” scares me so bad I beg my husband to open all champagne
bottles. No joke. Anyways… We also spent a large portion of each level looking
at the characteristics of some of the more popular wine types.
Based on where and the climate in
which a grape is grown, typical structures, smells, tastes, acidity and tannin
levels can indicate to wine experts what wine they are drinking. Many of these
wine superheroes can get it down to the year and winery without a glance at the
label. It’s quite amazing. Though my nose and tongue will never get to these
exceptional levels, what I personally liked about this portion of the class was
that it helped me to tease out what I was tasting. As a wine beginner, it can
be overwhelming when you are surrounded by a group of people firing off notes
like they are holding a flavor profile machine gun. But, thanks to these
classes, if I had a cabernet sauvignon in hand, I knew that some of the more
common fruit notes of this wine are black currant and plum, so I could narrow
down the fruit I was tasting with a bit more ease.
As I learned more and became more
experienced, my confidence level in understanding the various varieties grew,
as did my ability to know when I was served the wrong wine at a restaurant,
which happens more often than you would think. But, it also had a downfall.
Going back to the cab sauv example, I would have the hardest time allowing
myself to think outside of the common notes box and realize that I was in fact
tasting blueberry, even though the more common notes are currant and plum. Along
with that, I started researching what certain things taste and smell like that
I had never had before because I knew that was a common note in a particular
wine. I started to look for what the wine should be, instead of just
experiencing it in my own way.
Each wine is unique. There are so
many factors that go into making a wine, and each bottle has its own story to
tell. This is what I forgot when I became obsessed with trying to pick out the “right”
note. Just because it is a cabernet doesn’t mean it has to have a currant note.
That may be typical, but it does not mean that every cab from every winery will
taste the same. Along with that, when you throw in the fact that we all have
our own unique palates, that the fruits and spices typical in one part of the
world are basically unheard of in another, things get shaken up even more. This
really hit me when I picked up one of the wine magazines I frequently read.
Each issue, three judges will analyze a wine type from a particular region.
They will discuss their general findings of the vintage and select their top
one or two bottles they tried, each giving their own take on it. What really
fascinated me this time around was how much the tasting notes varied. The
judges each tasted one or two of the same things, but then every other note
listed was different. It blew my mind; they were all experts and were tasting
different things. What does this mean?
It means we should all be true to
our palates when tasting wine. One of my favorite wineries had a pinot grigio
on their menu for a long time, and one of the primary notes they listed was
white gummy bear. This may not be a WSET approved wine note, but I bet you
right now you all have a clear idea of what the person who wrote that description
was tasting. And, that’s the point. Wine should be described in terms that make
sense to the individual who is drinking it. If you taste barbecue sauce and
campfire, list it. If it smells like a spring day to you, describe it as such.
If it tastes just like the caramel latte you drank that morning, say so.
Getting so bogged down by appropriate descriptors starts to take the joy out of
wine, which is the biggest tragedy of all. The best part of wine is the happiness
it brings, and when we try to force a description or appropriately label the
color or tannins, the magic of the wine is lost. Yes, it is good and helpful to
understand wine terms and definitions, but the most important thing is to
simply sit back and enjoy the wine.
And, that is what I plan to do. I
am incredibly grateful to know what a particular grape should taste like, and I
will use this as an aid in my analysis. However, my primary focus from now on
will be to taste the wine in my own way, in a way that makes sense to me. My
goal is to find my personal wine voice. Cheers to each and every one of you
finding yours.
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